Showing posts with label Joyce Yarrow. Show all posts
Showing posts with label Joyce Yarrow. Show all posts

Monday, April 15, 2013

MYSTERIOUS MONDAY: Novelist Joyce Yarrow's Favorite Mystery Author



by Joyce Yarrow
 
When it comes to creating the antagonists in my books, I heartily agree with Somerset Maugham, who said: “Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.

Today’s fiction writers are challenged to make our villains psychologically complex, without glorifying or totally damning them. Fortunately for us, we have Georges Simenon, my favorite mystery writer, to show us the way. A Belgian who wrote more than 200 books – many of them set in Paris – Simenon had a gift for portraying the most degenerate, desperate, and psychopathic individuals in the realistic light of ordinary circumstances.

In his stories, Simenon makes no attempt to “humanize,” his evildoers – at least not in the sentimental way implied by that term. Instead he uses the banality of their thinking to help us understand them. Take, for example, this passage from Dirty Snow, set in occupied France:

“Men in uniform were killed every week, and it was the patriotic organizations that got into trouble, the hostages, councilmen, notables, who were shot or taken God knows where. In any case, they were never heard of again. For Frank it was a question of killing his first man and breaking in Kromer’s Swedish knife.”

A knife that, in contrast to his abhorrence for people, Frank holds in high esteem:

“It was made in Sweden, a knife with a folding blade, so pure of line, so sharp, that you got the feeling the blade was actually intelligent and could find its way all by itself into someone’s flesh.”

Another masterful technique of Simenon’s – one that that draws readers in and keeps us spellbound to the very end – is his use of restraint. In the opening scenes of Dirty Snow, we are party to Frank’s plans to commit the murder, as well as his compulsion to reveal himself to a person with whom he will share a “secret bond.” But when the time comes for the bloody act, Simenon cuts away to Timo’s Bar, and all we are told is that, “The knife, carefully wiped, was in Frank’s pocket.” By that time we are so totally inside Frank’s head, that we feel the horror of the crime without having witnessed it.

Thanks to you, George Simenon, mystery writers like myself have a high bar to reach for when writing about the darker aspects of human nature.

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Joyce Yarrow’s complex, intelligent and satisfying mystery Code of Thieves has just been rereleased by Istoria Books in digital formats. The new edition features an essay by and interview with the author.

Read excerpts of Joyce’s books here: http://www.joyceyarrow.com/#/excerpts/4543751204
or
Hear Joyce read a snippet of CODE OF THIEVES in a book trailer here: https://www.youtube.com/watch?v=T-3vUeuGLBA


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ABOUT JOYCE YARROW:
Joyce Yarrow was born in the SE Bronx, escaped to Manhattan as a teenager and now lives in Seattle with her husband and son. Along the way to becoming a full-time author, Joyce has worked as a screenwriter, singer-songwriter, multimedia performance artist and most recently, a member of the world music vocal ensemble, AbrĂ¡ce.

Joyce is a Pushcart nominee, whose stories and poems have been widely published. Her first book, Ask the Dead (Martin Brown 2005), was selected by The Poisoned Pen as a Recommended First Novel and hailed as “Bronx noir”. Her latest book, Code of Thieves, takes place in Brooklyn and Moscow. It was published in hardcover (as The Last Matryoshka) by Five Star/Cengage and is now available for Kindle and other ereaders through Istoria Books. (www.IstoriaBooks.com).

Joyce considers the setting of her books to be characters in their own right and teaches workshops on "The Place of Place in Mystery Writing."

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CODE OF THIEVES by Joyce Yarrow
Full-time private investigator/part-time poet Jo Epstein travels to New York and eventually to Russia to help clear her emigre stepfather—who is framing him for murder and who is sending him threatening messages in Russian nesting dolls (matryoshkas)? Her investigation takes her on a journey into her stepfather’s past and into the honor-bound code of the “vory,” a Russian criminal syndicate.
  • "Intricately layered like the Russian nested doll of the title..." Library Journal
  • "You'll want to discover the secrets buried in The Last Matryoshka..." Lesa Holstine, Lesa's Book Critiques
  • "Joyce Yarrow....may very well prove herself to be the Mickey Spillane of the 21st century...." Seattle Post Intelligencer
Buy Code of Thieves by Joyce Yarrow for Kindle here.
It is also available at other major etailers.
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WIN A DIGITAL COPY OF CODE OF THIEVES!
Here's how:

Respond to this post, telling us who your favorite mystery character or author is. Make sure to put your email in the post.
By Tuesday, April 16, 2013, midnight, Eastern Time USA, Istoria Books will choose a winner at random from those who responded to this post.
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Monday, March 25, 2013

MYSTERIOUS MONDAY: Joyce Yarrow interview at Body in the Library blog

Joyce Yarrow, author of Code of Thieves, is interviewed today at the blog There's a Body in the Library. Stop on by and chat with Joyce. Here's a sample of the exchange:

MARY SUTTON: You said on your website that “settings are characters.” What do you mean by that?
JOYCE YARROW: Well, it is often said that a place ‘has character’ – and since our environment has such power to shape us, I would take it one step further. Cities and towns, suburbs and wilderness all share the qualities of a living organism, both symbolically and in reality. This is why streets are called arteries, mountains taunt us with their grandeur, and Billy Joel sings about being in a ‘New York’ state of mind.’

As I see it, my job as a writer is to bring to life the physical universe in which a story takes place, so that the border between character and setting blurs and the two merge in the reader’s mind to create an alternate reality. Raymond Chandler was a master at this, to the point where a mini-industry has sprung up in Los Angeles, taking mystery fans on tours of the settings portrayed in his books. Here’s a classic example: “The muzzle of the Luger looked like the mouth of the Second Street tunnel, but I didn't move. Not being bullet proof is an idea I had had to get used to.” From The Big Sleep.

When I traveled to Russia in search of settings for Code of Thieves, each place I visited—Vladimir Central Prison, the Moscow Metro, the Matryoshka Factory, et al—became a character in its own right, revealing its unique personality and inviting traumatic events to transpire there.

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Istoria Books is rereleasing Joyce's excellent mystery novel Code of Thieves this April. The new edition features an essay by and interview with the author. 

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 Code of Thieves by Joyce Yarrow

Full-time private investigator/part-time poet Jo Epstein travels to New York and eventually to Russia to help clear her emigre stepfather—who is framing him for murder and who is sending him threatening messages in Russian nesting dolls (matryoshkas)? Her investigation takes her on a journey into her stepfather’s past and into the honor-bound code of the “vory,” a Russian criminal syndicate.
  • "Intricately layered like the Russian nested doll of the title..." Library Journal
  • "You'll want to discover the secrets buried in The Last Matryoshka..." Lesa Holstine, Lesa's Book Critiques
  • "Joyce Yarrow....may very well prove herself to be the Mickey Spillane of the 21st century...." Seattle Post Intelligencer
Buy Code of Thieves by Joyce Yarrow for Kindle here.
It is also available at other major etailers.

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Like Istoria Books on Facebook!


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Istoria Books's "Mysterious Monday" program features posts about mystery writing, reading, bookselling and more by writers from beyond the Istoria stable. Stop back on Mondays for insightful posts on the mystery genre. Check out Istoria Books's mystery offerings here.

Mysterious Monday posts from the past: 


Monday, February 11, 2013

MYSTERIOUS MONDAY: Pet Peeves in Mysteries, Part Deux

by Libby Sternberg

Last week, we featured comments from mystery writers and readers about their pet peeves in mystery stories. The post was very popular, and even after it was up, I was still receiving "peeves" in my email. So -- drum roll, please! -- here's Part Two of that post, with a few more comments on what gets mystery writers, in particular, riled up when reading or watching stories in their favorite genre. Enjoy....and know that some time in the coming months, I will feature a post on the opposite topic -- what do mystery writers and readers particularly like about mystery stories, and what kinds of storytelling help them look past their peeves and keep turning pages.

Convenient time-eating explanations
"An annoyance. The book is told in first person. At the end, the killer has the protagonist at knife/gun point and is planning to kill her/him, but goes into three of four pages describing how he/she executed the crime -- giving the protagonist just enough time to reach the paperweight with which to bash the criminal over the head.  (Also)...The protagonist receives a phone call from someone who says that he/she has an important clue but can't divulge it over the phone, so the protagonist must come over to her/his place AT ONCE.  When he/she arrives -- SURPRISE! -- the caller has been killed."--Mary Devine, from the DorothyL mystery readers/writers group

The discarded weapon
"I hate it when the protagonist throws away a weapon (usually a gun) and says, "EW!," generally carelessly leaving it where the perp (even if dying) will grab it and shoot the protagonist & kill a beloved secondary character who in a better novel or movie would have gone on to be an enjoyable secondary character."  Brenda from the DorothyL mystery readers/writers group

Confusion masquerading as complexity
"One thing that bugs me is when the author makes the set-up super complex, just to hide the fact that it doesn't make sense. I think this happens a lot in spy thriller/mystery movies -- often I have this moment where I realize that the reason I don't understand everything is not because I failed to follow the story correctly; it's because it really makes no sense." Hannah Sternberg is the author of the young adult novel, Queens of All the Earth

The day job with lots of time for sleuthing
"Amateur sleuths who have a job, or even run a business, but seem able to take unlimited unscheduled time off to sleuth." Carola Dunn is the author of the Daisy Dalrymple mysteries
 
The dead...phone
"Cell phones that go conveniently dead just as the bad guy is zooming in on the protagonist. Darn those cell phones, anyway. They make it a lot harder to get the sleuth out of the shop to investigate, and to get her into trouble she has to work her own way out of." -- Leslie Budewitz is an award-winning mystery author and a lawyer who blogs regularly about how to write accurately about criminal law and courtroom procedures at the Law and Fiction blog.

Pets and children who fade away

"Characters who have pets that are only seen for a comedic moment but never mentioned again, even when the character is home." Pat Brown is the author of a series of L.A.-based mysteries.

The unmistakable and villainous car
"My most irksome peeves involve cars. I lose all suspension of disbelief when our hero is on the run in an unmistakable car, the special-order British Morgan sport car in the case I'm thinking of, and doesn't think to DUMP THE CAR until it's too late. Also, I hate cases of The Sinister Car, where the glimpses of a certain make or model of vehicle provide the only tension for great lengths of narrative. But, most of all, I hate when women in danger carrying guns just FREEZE and can't use it before the villain disarms them. Please. I'm not buying mothers needing assault rifles to take down gangs of terrorists storming their housefuls of cowering children, but one woman and one gun can do a lot of self-defense if necessary." Carole Nelson Douglas has been published in several genres, including suspense.

Oh, baby...
"My most hated (peeve) is when the female protag suddenly zeroes in on the magnificent pecs straining the cop or detective's shirt. OMG! You were just mugged or cheated, honey--this is not kissy time!" Star Lawrence is a member of DorothyL, a mystery readers/writers group


The cliched detective
"I personally am sick of the alcoholic, depressed detective. Yes, characters should be flawed, but I'm tired of this cliche. I also dislike the clever ending that is unbelievable but chosen because the author wants to come up with something that no one will guess. I have a couple of books in mind with that flaw." Susan Oleksiw is a member of DorothyL, a mystery readers/writers group

The cliched pantry...
"Add me to the list of those who are annoyed at protagonists who have refrigerators with moldy cheese and pantry shelves with crackers that have no snap left and--maybe--coffee. OR their cousins who eat junk food all day and gain nothing." -- Radine Trees Nehring, is a mystery author, and a 2011 Inductee: Arkansas Writers' Hall of Fame


So much to do...except solve the mystery
"One of my pet peeves is 'the stall'-- when a character gets a promising clue but has to delay following up or else the mystery will be solved too soon. I know this happens in real life because I put off doing things I ought, but in a mystery I find it annoying. It usually goes something like this: sleuth is given phone number for pawn shop that deals in stolen
 goods, but can't call because she has a yoga class in fifteen minutes. Then after yoga class, she gets asked to go for ice cream by cute cop and by then it's too late to call, but she will the first thing next morning except that her dog has a vet appointment and then her cell phone battery dies. Three chapters later she finally calls the guy, who immediately gives her a name or Big Clue and case is solved. Or else she never calls, is in danger, but saved by cute cop who did follow up on the lead. On the other hand, there are authors who do 'the stall' so well that I only realize there was a stall in retrospect. I really admire them." Jeanne of the Bristol Public Library


The bridge to nowhere
"I read a lot of historicals, and it really irritates me when I come across something that I know is an anachronism or distortion of fact that isn't otherwise explained in an Author's Note. Example: going under the Veranzanno Narrows Bridge in 1936, when I know it wasn't built until the 1960s. Something like that destroys the entire 'suspension of disbelief,' and takes me right out of the story." -- Roberta Rogow (who has "fudged" a date or two, but nothing quite so horrendous as that!) is the author of several mysteries

Hacking away
"The super hacker buddy (mentioned in previous Pet Peeves post) was going to be mine, as well. And it's not just cops; it's P.I.s and reporters, etc. They all know someone who'll be able to hack into something and get them the exact piece of information they need. Happens on TV, too, though there it's usually just easily found computer information instead of hacking. Everything is found with a few clicks of the keys." Jane Joregenson is a member of the DorothyL mystery readers/writers group

But what about the mouse?
"Jane's peeve reminded me of one of mine that I see on television shows a lot -- when the crime-solving computer whiz starts clicking away at the keyboard to bring up pages of info. Usually those kinds of searches don't involve keystrokes as much as mouse clicks. Nobody uses the mouse. They type away as if they were Googling on an old Remington." Libby Sternberg is editor-in-chief of Istoria Books and an Edgar-nominated author

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Istoria Books's "Mysterious Monday" program features posts about mystery writing, reading, bookselling and more by writers from beyond the Istoria stable. Stop back on Mondays for insightful posts on the mystery genre. Check out Istoria Books's mystery offerings here.


Mysterious Monday posts from the past:
Coming up: Authors Gary Alexander and Joyce Yarrow talk about favorite characters and favorite character types in mystery, and book blogger and reviewer Marlyn Beebe shares her thoughts on what she likes in mysteries
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Monday, February 4, 2013

MYSTERIOUS MONDAY: Pet Peeves in Mysteries

by Libby Sternberg

Years ago, I read a mystery with all the elements for a super satisfying tale: exotic locale and time period, great historic detail, multi-layered characterizations and complex plot. But the resolution involved a culprit who turned out to be the equivalent of a supernumerary, a walk-on role, someone who didn't even have a name or presence in the book, a real "face in the crowd." Grrrr....I thought. Cheap trick! Unfair! It's one of my mystery pet peeves--making the culprit someone the reader couldn't possibly guess.

I asked a bunch of mystery readers and writers what really irritates them when reading/watching mysteries, and below is a round-up of their answers. Enjoy their analyses and then share your own peeves.


The TSTL (too stupid to live) heroine:
"One of mine is the kind of mystery--you can usually tell after the first few pages--where you know the heroine is going to do something stupid and get herself into a sticky situation in the next to last chapter." Carola Dunn, author of the Daisy Dalrymple mysteries

"My pet peeve is when the heroine goes down to the basement in her nighdress when a storm has knocked out the electricity and the phone, knowing that there is a serial killer loose in the neighborhood! I try not to let my heroines be too dumb, although occasionally they are!"  Rhys Bowen is a bestselling mystery novelist and an Agatha- and Anthony-award winner.

The TSTL (too skinny to live) heroine:
When the female detective (police or amateur) eats like a horse but she's skinny because she has such a white-hot metabolism And she eats lots of junk, too. Or she forgets to eat. When a woman (it's always a woman), real or fictional, says 'Oh, I forgot to eat,' I want to hurt her. Bad." Siobhan Kelly is the author of Through a Shot Glass Darkly: A Nebraska Mystery.

The tortured protag and the guest villain
"For me, it's the LEO (law enforcement officer) with 'demons' whether it's alcoholism or a murdered loved one. It was the one thing I didn't like about Castle. Becket's dead mother drove too many of the episodes and the conclusion really made me question watching the show anymore. But the alcoholic cop is beyond cliche. In any serial TV show, you can always tell who the villain is -- the well known guest star."  Pat Brown is the author of series of L.A.-based mysteries


Coinkydinks, miraculous recoveries, and bad grammar
"Whopping coincidence to solve the crime. Coincidence does happen in real life. Okay, but let's not use it to solve the mystery. Unrealistic physical action such as the PI is seriously  beat up and then within hours or minutes is back to full function. Bad grammar revealing the writer/editor merely used a computer program to check spelling and sentence construction. Over-use of current slang." Carl Brookins is the author of several mystery series.

Speaking of coincidence...
"When the detective protagonist, especially when he or she is a private investigator, happens to be in exactly the right place at the right time and thus is suddenly embroiled in a case instead of being sought and hired by a client. It happened to Mike Hammer in most of his cases, and has happened to, among other luminaries, Philip Marlowe (the opening of Farewell, My Lovely) and Lew Archer (Find a Victim)." Barry Ergang is a Derringer winner for best short flash fiction and a former mystery magazine editor.  

Cast of thousands
"Too many characters mentioned briefly and sometimes randomly.... I just wish the author would add a character key. Good example of an excellent character key is in St. Zita Society by Ruth Rendell (2012). She uses the inside cover to show the characters in her book. This made reading the book a true pleasure. If I get the notion early on that there will be many characters, I create a running list--but it is a pain, especially if I catch on too far into the book. I am sure I am not the only one with this complaint or problem remembering names. I also agree 100% with you about the person briefly mentioned being the culprit!" Janis Rothermel

Speaking of culprits arriving late...
"My pet peeve is when the detective pulls the killer out of thin air. All of a sudden the killer shows up in the last chapter and he's the guilty party. They have been doing this a lot on TV lately because there are so many commercials that there is not enough time left to create sufficient clues for a good story." Richard Brawer is the author of numerous books, including the Silk Legacy series.

Too much rock 'em sock 'em
"I get sick of knowing that the hero/heroine has to get beaten up before the book can end. I don't really enjoy that part any more than I do violence in movies. I understand that the author wants to create suspense, etc., but wouldn't it be nice if they had sufficient talent to do it some other way?" Leslie S. Lebl

Experts who know experts...
"We read and scoffed at a series where the protagonist just happened to have not only all of the necessary skills, but just happened to know an expert who could help." Judi Maxwell

"Wait and I'll reveal all...."
"I hate it when the characters say, 'I can't tell you until I ---' and then, of course, they go off on their own and bad stuff happens. I like to be in the character's head, and if the author can't figure out a way to stick to the character's POV while withholding information, that irritates me.  And, in reference to your pet peeve -- Lee Lofland reviews Castle for police procedure every week on his blog, and he says he can always guess the killer because it's the character they bring in early, ask a few questions, and dismiss." Terry Odell is the author of romance, romantic suspense and mystery

The killer next door
"The heroine's new boyfriend turns out to be the one killing people (and trying to kill her). Some well-known writers have committed this sin. Please. How lazy can you get?? I also hate thrillers in which one of the cops or FBI agents chasing a serial killer turns out to be the serial killer. Again, some well-known writers have done this. And again, it's just plain lazy and unimaginative." Sandra Parshall is author of the Rachel Goddard mysteries

 "One of my biggest pet peeves is the twisted, sick cop as killer. I'm sure there are twisted, sick cops out there who have killed.... I don't think the percentage is greater within law enforcement, but too many novels would have you believe otherwise. My other huge pet peeve is the stupid law enforcement professional, like the FBI agents who don't check the house next door to their safe house because it's a vacation home and not occupied off-season. Well, guess where the serial killer was hiding all along?" Lois Winston is the author of The Anastasia Pollack Crafting Mysteries

The recapitulation sermon
"One thing that drives me nuts...We get to the solution of the mystery, the bad guy is caught (or dead), and then we get 10-15 pages of the hero explaining how he/she figured it all out. What I say is that the reader, at the end, should be able to get that without a huge amount of recapitulation..." Don Coffin 

The evil twin
"Call it bad luck or whatever, but two recent reads from  two favorite British authors (who shall be nameless) where in each story a villain at the end was a twin of the suspect! I couldn't believe the coincidence. I think that having one villain turning out to be a twin is asking a lot of patience from a reader, but one after the other put me off both writers for a while!" Kit Sloane, author of The Margot & Max series.

Super cyber buddies
"The super hacker cop buddy bugs me. When a PI or cop is at a dead end in the investigation, or there's critical but unobtainable information out there, they go to their super hacker buddy who can break into anything. Sure enough, he gets the key data. It's a crutch. In pre-computer days it was informants lurking everywhere.  'Word on the street is....' The computer-related pet peeve that's really annoying, though, is guessing a person's password in one or two attempts."  Michael Allan Mallory (along with Marilyn Victor) is the author of the Snake Jones Zoo mysteries

The perp prologue, the closeted killer
"I have two (pet peeves). The first is the prologue told from the unnamed adversary, be it a serial killer or lunatic, who reveals a small amount of the plot as he/she plans to make the first move. The second is the gay killer who kills to stay in the closet.. Oy, what a tired old chestnut that is...."
Jeffrey Marks is the author of both fiction and nonfiction. He is working on a biography of Ellery Queen

What's in a name?
"This one was in a mystery but doesn't involve the mystery itself. The writing otherwise was fairly well done, but in conversations, the characters mentioned each other by first name in nearly every sentence. It was quite distracting and totally unnecessary. It was obvious from the conversation who was speaking, and people just don't address each other that way." Chester Campbell writes a series of post-Cold War political thrillers.

Yes, what is in a name? 
Pet peeves:
--giving someone who turns out to be bad an angelic name to divert suspicion from that character.
--giving someone who turns out to be the killer a name that's clearly a pseudonym . Michael Connelly did that and I stopped reading him.
--throwing in a gratuitous sex scene that doesn't advance the story or deepen insight into the characters . Lev Raphael is the author of mystery and historical novels


Gotta .... confess!
"My pet peeve is when the detective provokes a confession on the slimmest of evidence. I find it hard to believe that a clever murderer who knows that there is not sufficient physical evidence to charge him would confess when presented with what amounts to a 'guess' on the part of the detective. " Mary Ann Myer

That suspect is too obvious to talk to
"One of mine (pet peeves) is when the investigation is prolonged because no one questioned the right, very obvious person. (This happened) in a well-reviewed series, smart and witty, but the book was about a girl from a strict, religious family who disappeared. If such a person had a near-in-age sister, who would you talk to first? And keep talking to. Yes, me, too. (I had two daughters) I never read another book by the author."
Triss Stein is the author of Brooklyn Bones, an Erica Donato mystery

Dreams, loose ends, random action
1. An unexpected letter or phone call that arrives or turns up at the end and reveals a vital clue.
2. A dream that reveals that vital clue. (Note: I have no problem with dreams revealing the detective's mind at work while asleep, but an out-of-nowhere dream revelation not based on facts already presented will make me close the book.)
3. No logic or thought to lay a foundation for action so the sleuth's moves appear random and we readers wonder why he or she is doing something.
4. Too many loose ends or confusion at the end. Carolyn J. Rose, author (Who has been guilty of doing all of this in early works and may do it again because I'm not getting any younger)


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Libby Sternberg is editor-in-chief of Istoria Books. She is also an Edgar-nominated novelist.

Istoria Books's "Mysterious Monday" program features posts about mystery writing, reading, bookselling and more by writers from beyond the Istoria stable. Stop back on Mondays for insightful posts on the mystery genre. Check out Istoria Books's mystery offerings here.


Mysterious Monday posts from the past:

Coming up: Authors Gary Alexander and Joyce Yarrow talk about favorite characters and favorite character types in mystery.

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Like Istoria Books on Facebook!