Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Monday, April 15, 2013

MYSTERIOUS MONDAY: Novelist Joyce Yarrow's Favorite Mystery Author



by Joyce Yarrow
 
When it comes to creating the antagonists in my books, I heartily agree with Somerset Maugham, who said: “Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.

Today’s fiction writers are challenged to make our villains psychologically complex, without glorifying or totally damning them. Fortunately for us, we have Georges Simenon, my favorite mystery writer, to show us the way. A Belgian who wrote more than 200 books – many of them set in Paris – Simenon had a gift for portraying the most degenerate, desperate, and psychopathic individuals in the realistic light of ordinary circumstances.

In his stories, Simenon makes no attempt to “humanize,” his evildoers – at least not in the sentimental way implied by that term. Instead he uses the banality of their thinking to help us understand them. Take, for example, this passage from Dirty Snow, set in occupied France:

“Men in uniform were killed every week, and it was the patriotic organizations that got into trouble, the hostages, councilmen, notables, who were shot or taken God knows where. In any case, they were never heard of again. For Frank it was a question of killing his first man and breaking in Kromer’s Swedish knife.”

A knife that, in contrast to his abhorrence for people, Frank holds in high esteem:

“It was made in Sweden, a knife with a folding blade, so pure of line, so sharp, that you got the feeling the blade was actually intelligent and could find its way all by itself into someone’s flesh.”

Another masterful technique of Simenon’s – one that that draws readers in and keeps us spellbound to the very end – is his use of restraint. In the opening scenes of Dirty Snow, we are party to Frank’s plans to commit the murder, as well as his compulsion to reveal himself to a person with whom he will share a “secret bond.” But when the time comes for the bloody act, Simenon cuts away to Timo’s Bar, and all we are told is that, “The knife, carefully wiped, was in Frank’s pocket.” By that time we are so totally inside Frank’s head, that we feel the horror of the crime without having witnessed it.

Thanks to you, George Simenon, mystery writers like myself have a high bar to reach for when writing about the darker aspects of human nature.

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Joyce Yarrow’s complex, intelligent and satisfying mystery Code of Thieves has just been rereleased by Istoria Books in digital formats. The new edition features an essay by and interview with the author.

Read excerpts of Joyce’s books here: http://www.joyceyarrow.com/#/excerpts/4543751204
or
Hear Joyce read a snippet of CODE OF THIEVES in a book trailer here: https://www.youtube.com/watch?v=T-3vUeuGLBA


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ABOUT JOYCE YARROW:
Joyce Yarrow was born in the SE Bronx, escaped to Manhattan as a teenager and now lives in Seattle with her husband and son. Along the way to becoming a full-time author, Joyce has worked as a screenwriter, singer-songwriter, multimedia performance artist and most recently, a member of the world music vocal ensemble, AbrĂ¡ce.

Joyce is a Pushcart nominee, whose stories and poems have been widely published. Her first book, Ask the Dead (Martin Brown 2005), was selected by The Poisoned Pen as a Recommended First Novel and hailed as “Bronx noir”. Her latest book, Code of Thieves, takes place in Brooklyn and Moscow. It was published in hardcover (as The Last Matryoshka) by Five Star/Cengage and is now available for Kindle and other ereaders through Istoria Books. (www.IstoriaBooks.com).

Joyce considers the setting of her books to be characters in their own right and teaches workshops on "The Place of Place in Mystery Writing."

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CODE OF THIEVES by Joyce Yarrow
Full-time private investigator/part-time poet Jo Epstein travels to New York and eventually to Russia to help clear her emigre stepfather—who is framing him for murder and who is sending him threatening messages in Russian nesting dolls (matryoshkas)? Her investigation takes her on a journey into her stepfather’s past and into the honor-bound code of the “vory,” a Russian criminal syndicate.
  • "Intricately layered like the Russian nested doll of the title..." Library Journal
  • "You'll want to discover the secrets buried in The Last Matryoshka..." Lesa Holstine, Lesa's Book Critiques
  • "Joyce Yarrow....may very well prove herself to be the Mickey Spillane of the 21st century...." Seattle Post Intelligencer
Buy Code of Thieves by Joyce Yarrow for Kindle here.
It is also available at other major etailers.
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WIN A DIGITAL COPY OF CODE OF THIEVES!
Here's how:

Respond to this post, telling us who your favorite mystery character or author is. Make sure to put your email in the post.
By Tuesday, April 16, 2013, midnight, Eastern Time USA, Istoria Books will choose a winner at random from those who responded to this post.
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Monday, March 25, 2013

MYSTERIOUS MONDAY: Joyce Yarrow interview at Body in the Library blog

Joyce Yarrow, author of Code of Thieves, is interviewed today at the blog There's a Body in the Library. Stop on by and chat with Joyce. Here's a sample of the exchange:

MARY SUTTON: You said on your website that “settings are characters.” What do you mean by that?
JOYCE YARROW: Well, it is often said that a place ‘has character’ – and since our environment has such power to shape us, I would take it one step further. Cities and towns, suburbs and wilderness all share the qualities of a living organism, both symbolically and in reality. This is why streets are called arteries, mountains taunt us with their grandeur, and Billy Joel sings about being in a ‘New York’ state of mind.’

As I see it, my job as a writer is to bring to life the physical universe in which a story takes place, so that the border between character and setting blurs and the two merge in the reader’s mind to create an alternate reality. Raymond Chandler was a master at this, to the point where a mini-industry has sprung up in Los Angeles, taking mystery fans on tours of the settings portrayed in his books. Here’s a classic example: “The muzzle of the Luger looked like the mouth of the Second Street tunnel, but I didn't move. Not being bullet proof is an idea I had had to get used to.” From The Big Sleep.

When I traveled to Russia in search of settings for Code of Thieves, each place I visited—Vladimir Central Prison, the Moscow Metro, the Matryoshka Factory, et al—became a character in its own right, revealing its unique personality and inviting traumatic events to transpire there.

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Istoria Books is rereleasing Joyce's excellent mystery novel Code of Thieves this April. The new edition features an essay by and interview with the author. 

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 Code of Thieves by Joyce Yarrow

Full-time private investigator/part-time poet Jo Epstein travels to New York and eventually to Russia to help clear her emigre stepfather—who is framing him for murder and who is sending him threatening messages in Russian nesting dolls (matryoshkas)? Her investigation takes her on a journey into her stepfather’s past and into the honor-bound code of the “vory,” a Russian criminal syndicate.
  • "Intricately layered like the Russian nested doll of the title..." Library Journal
  • "You'll want to discover the secrets buried in The Last Matryoshka..." Lesa Holstine, Lesa's Book Critiques
  • "Joyce Yarrow....may very well prove herself to be the Mickey Spillane of the 21st century...." Seattle Post Intelligencer
Buy Code of Thieves by Joyce Yarrow for Kindle here.
It is also available at other major etailers.

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Istoria Books's "Mysterious Monday" program features posts about mystery writing, reading, bookselling and more by writers from beyond the Istoria stable. Stop back on Mondays for insightful posts on the mystery genre. Check out Istoria Books's mystery offerings here.

Mysterious Monday posts from the past: 


Monday, March 11, 2013

MYSTERIOUS MONDAY: Common mistakes mystery novelists make about the law

 by Leslie Budewitz

A legal thread runs through the fictional world. Novels, short stories, screenplays, and TV scripts often involve legal issues that may be central to the plot or provide backstory. But the law can be confusing. It’s constantly changing and varies from state to state. Plus most of us, thank goodness, live happy lives without facing serious legal issues.

Mysteries and crime novels typically involve an investigation, and often a prosecution. Law enforcement officers and P.I.s need to know what’s legal and what isn’t. Writers with amateur sleuths need to know a few things about the law, too–the chef/gardener/bookstore owner may get involved because she thinks law enforcement won’t investigate or is focusing on the wrong suspect. Past crimes may surface with present ramifications, some legal, some illegal. Plots and subplots in mainstream and literary novels may involve the law, too.

But unintentional mistakes take your readers right out of the story. Here are a few common mistakes I see in books, movies, and TV shows.

Leslie Budewitz
– Using the wrong terms, particularly in identifying prosecutors and courts.
On Law & Order–and I love the show–the prosecutor is the D.A. Elsewhere, she might be the County Attorney, County Prosecutor, State’s Attorney, even the People’s Attorney. A long handle like the Commonwealth’s Attorney might be shortened to “the prosecutor.” Does she try cases in District Court, Circuit Court, Superior Court, or another variation? It’s easy to check, whether you live where your story is set or not. If you aren’t sure of the terminology, call the court or the prosecutor’s office, or check their website. Read news accounts of recent prosecutions in the newspaper online. No doubt you’ll pick up some good local flavor, too.

– Assuming law enforcement officers need a warrant to make an arrest.
Police don’t need a warrant to make an arrest in a public place, or in “exigent circumstances,” such as when an officer witnesses a crime or is pursuing a person suspected of committing a crime. But they still need probable cause, based on the 4th Amendment. That means reasonable belief, based on facts, that evidence of a particular crime will be found in a particular place, or that a particular person is responsible for a particularized crime. “Mere suspicion” is not enough.

– Confusing direct and circumstantial evidence.
Evidence is anything – witness testimony, physical evidence like a gun or DNA test results, or documents – offered at trial to prove a fact necessary to the elements of the case.

Direct evidence is testimony or physical evidence of a fact. Circumstantial evidence is evidence of one fact that leads to an inference or presumption. In both civil and criminal law, circumstantial evidence may be enough to make the case. If the other side objects to circumstantial evidence, the judge must rule on whether to allow (“admit”) it or not. Is it relevant–that is, does it make facts that matter to the case more or less probable?

– Giving a Miranda warning as soon as a suspect is arrested.
A warning is required only before custodial interrogation. That is, only suspects in custody need to be warned, and even then, only before questioning. Voluntary statements by persons not in custody or not made in response to questioning are admissible. A suspect who’s been warned can waive his rights and agree to questioning. Warning a suspect on arrest only guarantees that he’ll shut up–many defendants have been arrested before and they know the drill. Plus they watch the same TV shows as the rest of us.

– Introducing new evidence on appeal.
Appeals are decided strictly on the record below–meaning the evidence and legal rulings at trial, or if the appeal is from a pretrial ruling, the ruling, briefing, and arguments. An appellate court might order the lower court–meaning the trial court–to reopen the case to consider evidence or arguments it previously excluded. But it won’t allow the parties to present any evidence or argue legal issues not presented below: no new testimony, no new witnesses, no new physical evidence.

In a criminal case, new evidence may surface weeks, months, even years after conviction. There are other procedures to get that evidence in front of the court, to decide whether the case needs to be reopened, such as petitions for habeas corpus.

Of course, police officers, lawyers, and judges do make mistakes–in real life and in fiction. Now that you know a few common stumbling blocks, you can decide when to let your characters make a mistake, to increase the stakes and tensions, and make your story even more gripping.

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Leslie Budewitz is the author of Books, Crooks and Counselors: How to Write Accurately About Criminal Law and Courtroom Procedure (Quill Driver Books), winner of the 2011 Agatha Award for Best Nonfiction. Read an excerpt and more articles on www.LawandFiction.com   She blogs for writers at www.LawandFiction.com/blog   
Death al Dente, first in her cozy series, The Food Lovers’ Village Mysteries, set in northwest Montana, will debut from Berkley Prime Crime in August 2013. 



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Like Istoria Books on Facebook!


______________

Istoria Books's "Mysterious Monday" program features posts about mystery writing, reading, bookselling and more by writers from beyond the Istoria stable. Stop back on Mondays for insightful posts on the mystery genre. Check out Istoria Books's mystery offerings here.

Mysterious Monday posts from the past: